I wrote a new aleatoric electroacoustic composition last month for the amazing free improv/new music trio Broadcloth (Anne Rhodes, Nathan Botranger and Adam Matlock). It’s called Big Crunch Singularity, which is a theory that the universe will end by imploding back into itself, creating a massive black hole. The tricky part about writing electronic aleatoric […]

One of my biggest problems as a composer is finishing pieces; coming up with ideas is easy, but expanding them into actual interesting compositions is where it becomes complicated. Every time an idea is born it seems to have infinite potential; it could grow up to become president of the united states or ceo of […]

I stumbled upon this awesome poem and thought I would share it with you, dear reader. Hope you enjoy! The apple of deliverance, Gives me nourishment, Sweet nectar, dripping down my throat I thank you, apple, You give me strength, to climb that hill, For up top, there lies a great reward, Much like you, […]

And so we proceed: a crippling bout of laziness has kept me from finally finishing these fingerboard diagrams, but it’s about time to wrap things up. Here is the sixth mode, with all of its transpositions. Sixth MLT, First transposition: Sixth MLT, Second transposition: Sixth MLT, Third transposition: Sixth MLT, Fourth transposition: Sixth MLT, Fifth […]

Meet the fifth mode of limited transposition – a “truncated” version of the fourth mode. This one is also interesting – I kind of like it better than the fourth… the two consecutive semitones remind me of the blues pentatonic scale. Here they are: all six transpositions! Fifth MLT, first transposition: Fifth MLT, second transposition: […]

I took my first crack at writing micropolyphonic music in the sixth (and perhaps my favorite) ouroboros miniature, Swell. It’s a cool little piece for guitar duet in which various chords played as very rapid ad-lib arpeggios begin pianissimo and slowly swell to forte, before returning to pianissimo, at which point the figure repeats itself […]

It has been a while, but I have returned, dear reader. No need to skip another beat – the remaining modes of limited transposition (modes 4, 5, 6 and 7) each have six transpositions – more than the first three modes, but less than your usual major/minor scale. To quote the master himself: “One point […]

Now it gets interesting – if a C major scale is a lightly salted soda cracker, consider the whole-tone scale a wheat thin, and the octatonic scale is some tasty ciabatta with olive oil. This next mode of limited transposition might very well be “The Burger.” Messiaen himself invented the remaining five modes of limited […]

The octatonic scale is not new to guitarists, in jazz it’s commonly known as the diminished scale because it is essentially two diminished seventh chords superimposed to form an 8-note scale. Like the whole-tone scale, Messiaen did not invent it, but he categorized it as the second mode of limited transposition. The scale simply alternates […]